I once had an editor tell me that my biggest (among many,
apparently, according to him) weakness as a writer was that I was always too
polemical, that I injected too much anger and/or humor into my writing (and too
many foul words). So I lost my temper, cursed his lineage and then beat him to
death with a rubber chicken. Ba dum ba! He was an asshole, anyway (he also told
me that I used way too many parentheticals) (what did he know, right?).
But lately I’ve been thinking a lot about the role, or lack
thereof, of anger in writing, specifically nature, conservation and/or outdoor
writing. This probably comes as no great surprise, but I’m a big fan of
provocation, agitprop and good old-fashioned outrage. I like my comedy, my
journalism and my music to be angry, intelligent and sincere.
Unfortunately, it seems - to me, anyway - that while a lot
of current environmental and conservation writing is both intelligent and sincere in its great pains toward objectivity
(more on that later…), it seems to be lacking a bit in the outraged sense of
justice department, as if honest emotion, heartfelt opinion or (god forbid!) offending
or insulting some person, group, thing, concept, scheme, plan, entity or idea
so obviously and eminently worthy of offense or insult, somehow weakens your
case or disproves your thesis.
I, too, have been a willing victim of this cult of
objectivity (Breathless, Self-Serving Monologue Warning).
I have stood at the base of a giant, leaking corporate hog farm lagoon, with untold thousands of gallons of fetid, toxic, bacterial pigshit swirling about my feet, and had a slick-haired, smooth-talking PR flack tell me everything’s fine even as his hired goons grabbed at my camera. Could I call him a goddamned liar? Nope, because that would have been “taking sides.”
I have attended a David-and-Goliath environmental regulatory
agency hearing in which platoons of $300-an-hour hired Gucci Guns, fresh off
the Lear jet, strode into the room reeking of the kind of smug arrogance and
contempt that comes only from the knowledge of a pre-ordained outcome. And when
the whole obscene, set-piece Kabuki theatre was over, when the
bought-and-paid-for deciders had made their bought-and-paid-for decisions and
then filed out of the room in jocular, back-slapping unison and the hired guns
has snapped their briefcases closed in triumph and high-tailed it back to civilization
and all that remained in the room was a small, shell-shocked group of ordinary,
extraordinary people for whom the word “home” had forever changed, could I
write “Corrupt Kangaroo Court Fails Its People?” Nope, because that would have
been “biased reporting.” (and bad
alliteration)
I have watched, incredulously, as one of my life’s abiding
passions, indeed, my life’s anchor - one that once tethered me and kept me from
floating out to doom on the same riptide that has taken so many other
fatherless latchkey kids - grows increasingly vile, cheap and desensitized to
anything resembling respect, reflection, or restraint, instead becoming ever
more corrupted, rotted, ugly, commoditized, fetishized, falsified,
mythologized, branded, packaged, sold, traded, digitized, distributed and
wholly co-opted by those for whom the act of hunting and killing is always
something to be made easier, quicker, cooler, more efficient, more spectacular,
more entertaining, and above all, more profitable. Could I point to these people and say (or
write) “You, sir, are a peckerwood of the highest order, and what you represent
is a disgrace to the sport you profess to love.” No, because to do so would
take speaking with a discordant voice, and in that industry, media included, unvarnished
opinion - or at least unvarnished opinion of the wrong sort- is an undesirable
thing.
But unvarnished, even raw, opinion is, in my mind, an
absolutely crucial component to effective writing, if the purpose of your
writing is to get people’s attention and focus it on what you’re trying to
reveal to them. If, however, the purpose of your writing is to be promptly
forgotten, or not even finished, then by all means strip it of anything
resembling life or vitality. And I mean journalism, too.
And that’s where Edward Abbey comes in. As you can obviously
tell from my header photograph, I am an Abbey acolyte. I still remember, with
vivid clarity, discovering Desert Solitaire in the paperback rack at Noble
Junior High School. It’s a cliché now shared by many, but at the time it was
beyond transformative for me. I had never, ever read anything like that (until
I discovered Vonnegut that same year. Then Robert Ruark’s books. Then Bradbury.
Then girls. Then my hand. That was a damn
educational year…)
What was it about that randy, beer-swilling, gun-toting,
philosophy-spouting, monkey-wrenching, misanthropic, womanizing, unapologetically
contradictory - and kinda freaky-looking- iconoclast that stoked me so?
Well, it sure as hell wasn’t his objectivity and
fair-mindedness and his even-keeled approach to making sure all the various “stakeholders”
in the debate were fairly represented and given voice. Shit, no. It was his
words. His energy. His unfettered joy in writing exactly whatever the hell he
wanted to write, and reaction be damned. He wasn’t always right, and sometimes
flat wrong, but he damn sure believed he was always right, and wrote that way. Compromise
had no place in Edward Abbey’s writing, and that lack of compromise about what
he loved, made you love it, too.
The thing is, almost anyone can evoke place. There are
legions of working travel, nature and conservation writers out there who (I’m
guessing here, ‘cause I’m sure as hell not one of them) make a decent living by
evoking a sense of place… adequately enough. Who report on a region’s issues or
problems…adequately enough. Who hit all the key issues, get a quote or position
statement from all the key players, maybe even weave the narrative around a
little first-person longform riffing to give the piece some color, and do it…
adequately enough.
But to evoke a sense of place with as much humor, rage,
pathos, bravado, bullshit, outrageousness and sheer feeling as Abbey did is a
rare thing, indeed. It stuck with you. But Abbey died in 1989. The world’s a
vastly (or perhaps not) different place. I need a new Abbey. We all need a new
Abbey to stick with. But I’m finding that not much is sticking with me these
days.
Don’t get me wrong: thorough, sober, fact-based (more on “facts”
later) environmental reporting is a crucial and needed thing, I guess, but I
fear that in pursuing the grim, lifeless doctrinaire of objectivity, we’re
losing passion. And interest. You simply cannot have one without the other. I don’t
read as much nature writing these days as I probably should because it quite
frankly bores me, the kind of thing you pick up, start reading and then just
sort of…disengage from.
Where are the Abbeys? It’s not a rhetorical question. I really
want to know, because we need some damn Abbeys, and quick.
Now, the case could certainly be made (and probably has)
that we don’t need anger and outrage,
that anger and outrage are simply weak ad hominem literary devices used by inferior
writers to make up for a lack of depth,
thoughtfulness and substance, and in my particular case you’d be absolutely
right. I recognize my limits as a writer and thinker. Like most bloggers, I’m
mostly just a polemic, ranting bomb-thrower with nothing
terribly useful to offer up besides profanity and rhetorical outrage, which may
be entertaining to a point, but doesn't really bring anything useful to the
table.
But some writers can pull off anger, humor and deep thought,
and in the process hook us and engage us totally with the issue. Abbey was one
of them. And he did it the faintest pretence of “objectivity.” In fact, I’d
argue he did it in spite of objectivity. Because, really, there’s no such thing. Science (and much philosophy) tells us, in a roundabout way,
that there is no reality, that everything we “see” is merely an interpretation
created by our brains based on patterns of light photons hitting the
photoreceptors on our retinas. Those light waves are then converted to electrical
nerve pulses that are sent to the brain in certain patterns, to be analyzed and
decoded by said brains into mental images. Viola! Reality! So in a very real
sense (such as it is…) “reality” is all in your head.
The entire concept of “facts” and/or “objectivity” is no
different, really, just streams of information photons hitting receptors and
being recorded, converted to electrical impulses and then sent to the brain for
analysis and interpretation. And I promise you that whatever your brain’s
computer spits out as “fact” at the end of this process - regardless of how
immutable it may seem to you – will be contested by someone else’s equally
obvious, immutable and diametrically opposed fact. Ever it was thus, and ever
it shall be. Just like quantum physics,
no one’s yet managed to come up with a unified field theory of what constitutes
factual objectivity, and no one is ever likely too, either. Your “fact” is my
steaming pile of horseshit, and vice versa.
Reductio ad absurdum…
So screw it. Don’t try. Seriously, give it up. Because you’re
simply bullshitting yourself if you think facts and objectivity are effective
persuasive devices. They’re not, because they don’t exist except in your head. Generally,
we’re wired to accept the facts our wiring and environment predisposes us to
accept. Can you re-wire yourself? Sure, but it’s damn hard, and facts in and of
themselves aren’t the best tool to do so, IMO. Just look at the world around you. Do you
think it turns on fact and objectivity? No. It turns on the eternal struggle
between competing fact translation processes. As Cassius famously said (uh,sort of, more or
less…), “The fault, dear Brutus, lies not in our stars, but in our fucked-up
noggins.”
That’s why I’ve always believed that opinion - pure, sweet,
unadulterated opinion, the kind at which Abbey excelled - is the highest,
truest and most intellectually honest form of truth. Because it’s your truth,
and (impending metaphysical doublespeak gibberish warning!) there is no other
truth besides the truth you believe.
And so naturally, I think the highest calling of writing, and yes, journalism, isn’t to go out and simply be a stenographer laboring under the laughable yoke of objectivity. It’s to attempt to re-wire others to see your truth, whatever it may be. And despite what the fair-and-balanced-stick-to-the-facts objectivity cultists may say, there’s not a goddamned thing wrong with that, and much to admire (just as long as your truth jibes with mine, of course. Otherwise, you’re a lying, manipulative asshole…).
And so naturally, I think the highest calling of writing, and yes, journalism, isn’t to go out and simply be a stenographer laboring under the laughable yoke of objectivity. It’s to attempt to re-wire others to see your truth, whatever it may be. And despite what the fair-and-balanced-stick-to-the-facts objectivity cultists may say, there’s not a goddamned thing wrong with that, and much to admire (just as long as your truth jibes with mine, of course. Otherwise, you’re a lying, manipulative asshole…).
So dump objectivity. Tell the “fair-and-balanced” crowd to
shove it up their asses. Go experience and write what you see and feel to be
the truth regardless of who, what or how many it pisses off, offends or
insults: Rage, disgust, wonder, sorrow and joy - as long as they are genuine - are
far more powerful agents of change than the tepid, illusory gruel of “objectivity.”
Because there’s always going to be a competing, equally “objective” truth. Make
yours stronger.
But just don’t expect
to sell it anywhere, because, well, truth, even passionate, heartfelt truth,
doesn’t sell for shit. Paying markets want listicles*. So write the truth for
yourself, write listicles for dough.
*Oh, just Google it…